"Polish Avant-Garde in Berlin" ed. by Małgorzata Stolarska-Froni

Place Berlin,
Organizer Zentrum für Historische Forschung Berlin der Polnischen Akademie der Wissenschaften
More info http://www.cbh.pan.pl/de/polish-avant-garde-berlin

"Polish Avant-garde in Berlin" edited by dr. Małgorzata Stolarska-Froni has been published after the 100th anniversary of the Polish avant-garde celebrated in 2017. In December 2017 at the Center for Historical Research of the Polish Academy of Sciences an international conference entitled Polish Avant-garde in Berlin / Polnische Avant-garde in Berlin took place, and the result is the following publication. 

The book presents the historical panorama of the Polish avant-garde in Berlin from the nineteenth-century avant-garde to modern art. Looking at specific artistic strategies and the development of the modernist paradigm both before and after World War II, from a migration experience perspective, this volume offers a deeper insight into the mechanisms, relationships and identity programs of individual artists and groups. It also reveals the dynamics of possible cultural exchanges or alternative forms of artistic transformation, as well as the impact of Polish artists on the Berlin art scene.
Berlin 2020, ISBN: 3631780532
Table of contents:
Małgorzata Stolarska-Fronia "The Centenary of Polish Avant-Garde in Berlin"

[Chapter I: Center and Peripheries? Mobility and Transfer of the Interwar Avant-Garde]

Małgorzata Geron, "Formists’ Relations with the Artistic Milieus of Munich and Berlin"
Dagmar Schmengler, "The State Academy of Arts and Crafts in Wrocław and the Cross-Border Avant-Garde Network" 
Lidia Głuchowska, "Artists from Poland in the International Milieu of Classical Berlin Avant-Garde Die Aktion, Der Sturm, and Die Novembergruppe"

[Chapter II: Transnational Avant-Garde and Migrating Identities]

Nathan Diament, "The Resurrection of J. D. Kirszenbaum" 
Małgorzata Jędrzejczyk, "Art as Organization of Life: Katarzyna Kobro and El Lissitzky"

[Chapter III: The Feminine Avant-Garde]

Anna Dżabagina, "Berlin’s Left Bank? Eleonore Kalkowska in Women’s Artistic Networks of Weimar Berlin"
Teresa Fazan, "The Unsaid Presence: Discussing the Absence of the Female Artists on the Polnische Avantgarde 1930–1990 Exhibition" 
Karolina Majewska-Güde, "An Atlas of Ewa Partum’s Artistic Practice: Resignifications in Ewa Partum’s Feminist Performances in West Berlin (1982–1989)"

[Chapter IV: Contemporary Art Between Poland and Germany]

Artur Żmijewski, "The 7th Berlin Biennale 2012"
Monika Leisch-Kiesl, "Contemporary Art Between “East” and “West”: Signs • Images • Codes" 
Justyna Balisz, "Foreign Relatives: How German is Polish Post-War Expressionism"